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REBER: I always invite new members to post an introductory message (if you haven't, it's never too late). Thanks to recent recruit Les Wilson for this.
LES WILSON writes:
Hi, I am Les Wilson, former copyboy at the San Diego Union, just 45 years ago. I worked for about a year, doing any kind of grunt work I was assigned, such as retrieving Gerald Warren's lunch from a nearby deli. It was exactly the same every day -- turkey sandwich, banana, and pint of milk. Didn't he have something to do with Richard Nixon?
I remember head copyboy Robert Flournoy but no other copyboy names.
Whatever happened to Bob, a pretty cool guy? And I believe we had a copygirl also. Name?
Left San Diego for good to attend college in New Mexico, and for the last 38 years I have lived and worked on the Navajo reservation, in both Arizona and New Mexico. I have two grown half-Navajo sons, one of whom just moved back to Ramona -- he married a San Diego girl he met while assigned to the Stennis. His great-granddad is buried on Point Loma above a beautiful canyon overlooking the sea, and his grandfather (my Dad) grew up in Logan Heights.
Perhaps my most memorable impression at the Union was seeing Joe Stone fast asleep at his desk with his head on his typewriter, and waking up about 9 p.m. to write his story.
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JANET SUTTER writes:
Alas, I missed writing this on National Chili Day, Feb. 22, but it's perfect that the source of the information was Michael Grant. Why? Because his Barbecue Chili was the best I ever tasted. The occasion was probably one of Charlie Ross' chili cook-offs. I hunted up the recipe in Michael Grant's Cookbook, "Hearty Fare from a Country Kitchen." (I respect the cooking also of Welton Jones, it's just that I don't remember the privilege of tasting his special eggplant chili recipe.)
We all knew that Mike is an excellent cook and columnist, and now we know that he's a terrific photographer, too. Bravo!
REBER: Just to make sure we raise no problems in the Grant household, I will point out that some (maybe most) of the photos we have posted were taken by his wife.
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LEE GRANT writes:
Dick Desick, a superb wordsmith and the greatest lead writer of all time, once told me, "The joy in this business is in the gathering."
So, adding to the recent Jackie Gleason entries, a vignette or two or three.
I interviewed Gleason on the Las Vegas set of "Smokey and the Bandit," and we had lunch at a table in full view of the casino crowds. The menu: two glasses and a bottle of Scotch. My lead: "He is, without doubt, the great one. Jackie Gleason --celebrated comedian, master actor, exalted reveler -- a legend once described as 'able to put away more Scotch per square hour than any man alive.'" Gleason at his on-screen best: "The Hustler" and "Requiem for a Heavyweight."
A few years later, back in Las Vegas, I met with his "Honeymooners" pal Art Carney on the set of "Going in Style." The lead: "Art Carney was lying on a hotel suite couch in his underwear and a bathrobe, the wear of the city and the ordeal of a movie telling on his face." Carney recalled Gleason as a great friend but a withering boss. Carney movies worth renting: "The Late Show" and, of course, "Harry and Tonto."
Years later, Richard Pryor told me how nervous he was to meet Gleason for the first time when they made a movie together called "The Toy." This great standup comedian was simply in awe of the man he'd watched on TV as a kid growing up in Peoria, Illinois.
Movie to avoid: The dismal 2005 "The Honeymooners" with Cedric the Entertainer as Ralph Kramden and Mike Epps as Norton. There's only one place for that dud: To the moon ....!
CARL LARSEN writes:
And Awaaay We Go: We need more Jackie Gleasons in the world...if only for The Great One's penchant to travel by train.
Here's how Gleason, according to Wikipedia (an easy, but not the best source), was driven to the rails.
"His fear of flying came from an incident at the time where he had only minor movie roles. Gleason would fly to Los Angeles for movie work, then back to New York.... After finishing one of his movies, the comedian boarded a plane for New York. Two of the plane's engines quit and the flight made a forced landing in Tulsa.
"While another plane was readied for the passengers to continue their journey, Gleason decided he had enough and made his way from the airport into the heart of the city. He walked into a hardware store and asked its owner to loan him $200 for his train trip back to New York. The amazed man asked Gleason why he thought anyone would lend a total stranger that amount of money.
"Gleason explained who he was and his situation; when the store owner learned of Gleason's movie work, he said he would loan him the money if the local theater had a photo of him on display in his latest film. Since Gleason was not yet a major ... star, the publicity shots the theater had were only of those with principal roles in the film. Gleason then proposed that he purchase two movie tickets and that they both see the film, as the hardware store owner would certainly be able to identify him from that. The two men sat in the dark theater for an hour before Gleason came on the screen. Gleason got his loan and boarded the next train back to New York. Returning home, he borrowed $200 to repay the Tulsa hardware store owner."
When he traveled by train, Gleason wasn't content to go first class. He frequently chartered entire trains, or hired a private coach, one time bringing along TWO Dixieland bands.
Here's how Hedda Hopper, with Gleason in the photo above, described one cross-country jaunt from LA to New York by rail in August 1962 that cost CBS $80,000. It was a promotion for his new TV show, “Jackie Gleason’s American Scene Magazine.”
“Jackie Gleason sure knows how to make an exit. Balloons, midgets, a band, beautiful girls – his choreographer, lovely June Taylor, leading lady Sue Ann Langdon, and his daughter Geraldine – director George Marshall and 210 freeloaders were present when he took off on his special train bound for New York. Forty-five went with him. It was show business in the manner of P.T. Barnum, which someday Jackie must put on screen. They had everything except an elephant.”
For $80,000, you probably could get from LA to just outside Yuma today. Extra for a bar car.
REBER: Gleason died June 24, 1987. Age 71. I have read that his tombstone is engraved "And away we go."
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REBER: Today's birthday wishes go to Mark Arner. Happy Birthday (Feb. 25), Mark.
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DAVID FARMER writes:
Jimmy Thornton mentioned the cluttered nature of his desk when he worked in San Diego. This reminded me of the late and much-loved Bill Parry, county editor for The Union when I was there in the early 60s. Bill's desk was always piled with miscellaneous papers, so high that occasionally one would slide from the mound and drift to the floor like a leaf. I pronounced that Bill had the only deciduous desk in the newsroom.
Other Parry stories, some of which have been mentioned here recently, but which are always fun:
Bill would answer his county desk phone by bellowing "Sports!" He was a big fan, especially about his alma mater, which I believe was in Oregon. I assumed he'd have liked to work in the "toy department" if he had the choice.
Bill also used to mutter, "Things will be better in the new building." At the time I knew of no plan to relocate from 919 2nd Ave., but I gather that things did not get much better when it finally happened.
I'm pretty sure that Bill was the only man who wore a green eye shade at work on the city desk side of the newsroom. Ed Hutshing famously sported one at the rim of the copy desk.
Mr. Parry also, as mentioned here recently, posited that editors should "make the art big and go home early."
I think Bill kept a bag of golf clubs in the trunk of his aging MG, which at one time was painted a dead black that must have come out of a can from the hardware store. Certainly, no body shop would have approved of it, not even Earl Scheib's.
When he made the art big enough to leave before dark, Bill would announce that he'd be playing a round on the way home to wife Brooks in Del Mar. Unlike me, Bill Parry knew that work was not the most important thing in life.
REBER: I've read so many Bill Parry stories that I regret that working across the hall meant I never knew him.
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JIM HEBERT writes:
Since you mentioned Patricia Dibsie and her work with Love Heels, I thought it probably was high time I mentioned a potential first: A love story, kindled right here at Cafe 911.
(A warning to you hard-bitten newspersons: This story contains potentially Hallmark-y elements, including adorable dogs and smiling children. You might want to dial your cute filters up to 11.)
So going on two years ago, I responded to Patricia's call here for families who might want to host one of her agency's service-dogs-in- training for a weekend. I told her we'd love to "borrow" a pooch, as we had never quite managed to find the right one to bring home from the local shelter for keeps. As the appointed day grew closer, Patricia asked to know a bit more about our family. I told her we had an animal-loving daughter named Audrey and an animal-tolerating son named Zander, and that (by the way) Zander was autistic.
Next thing you know, we were off the list for a visit and on the shortlist for adoption. (We had thought about getting a service dog for Zander before, but weren't quite sure whether he'd be a good candidate. And, of course, never before had we talked with anyone who was quite so passionate an evangelist -- and I mean that in the very best sense -- for these animal companions as Patricia was and is.)
Long story short, one Saturday last summer Patricia and her colleague Joe arrived with a golden retriever named Breoso -- Bree for short.
Audrey was excited. Zander was, well, a little blase. But Bree ... she was relentless. She lasered in on him like a missile filled with kisses. And now this boy who had seemed so wary (verging on terrified) of dogs the last time I had taken him to the local park was now taking HER to the park -- holding Bree's leash as she walked. Trust me, this was an amazing sight to see.
Bree was going to stay just for a weekend. As it turned out, she never left. Now she and Zander evidently are buddies for life (even if my wife, Sophy, seems to believe Bree is her dog). Bree goes all kinds of places with the family (the picture here is from an outing to Dog Beach a couple of months ago), and she's very patient and attentive with her main charge.
We've learned over the past few years to appreciate even the most modest of progress when it comes to the issues in Zander's life. On that scale, Bree counts as a small miracle.
All of which is to say: Thanks for making the match.
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BOB RODRIGUEZ writes:
LOVELL, WY. -- For Karla Peterson and others who might be interested or concerned about the eye removal one of our cats underwent due to a tumor: We brought home "Scrappy" on Wednesday, Feb. 23; picked him up our our vet's place in Powell around 4:30 p.m. His surgery was Tuesday morning the 22nd. It was a major operation, traumatic for him and us. I've seen a lot of blood and stuff covering incidents involving injuries caused by motor vehicles, guns, knives, airplane crashes, industrial machinery, fires, trains, falls and the like. But you know, one develops a remoteness and uses black humor to get through incidents not involving a loved one. So it was not fun to see the aftermath of having your pet's left eye removed. I tried looking at it objectively, but mostly failed. Have to admit that by the time we got home that evening, I was ready for a tall gin and tonic. As of this writing (Thursday evening shortly before 8 MST), ol' "Scrappy" is doing OK. He's eating, using his litter box, and acting mostly normal. Of course, he's wearing a large pain patch on his left side, and we give him pain medication orally every morning. We're keeping him in our bedroom away from the other cats, except for his adopted daughter, "Tasha Tiny-Dancer," until we feel that he's ready. That's probably way more than anyone wants to know, but there it is.
Jack Justus Reber
P.O. Box 2239
Ramona, CA 92065
U.S.A.


