Thursday, February 28, 2019

Jupiter ascending


          Good evening, 919 Gang. Especially if you are a sports fan, you know there has been a lot of news recently concerning Jupiter, Fla. The 919 Gang, of course, has a bureau in Jupiter. Bureau chief Mike Richmond, can you report on the local scene? Maybe you have a photo of you standing outside the massage parlor. If the photos are of you inside the massage parlor, never mind.

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          REBER: Last night I talked a bit about the movie “The Green Book” and also the actual publication that was called the Green Book.

   PAMELA DUGAN writes:
          NPR's "Fresh Air" on Tuesday included a segment on a documentary about the real Green Book. I caught just a few minutes of it but that bit was interesting. I'll catch up with the full podcast in the next day or two. You can hear it at https://www.npr.org/2019/02/25/697724043/documentary-chronicles-the-real-life-green-book

JACK REBER forwards:
Speaking of “Green Book,” This mock movie trailer from Seth Meyers – that debuted over Oscars weekend – spoofs Hollywood’s “white savior” tropes:

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PRESTON TUREGANO writes:
The headline for the story at the bottom of Thursday's U-T Local section is unfortunately ... 919ers can choose a word (dumb, stupid, awkward) to describe it.
          The number 2 was run so close to 19, it first looks like 219.  Seems to me "Two" could have been worked in because there is space at the end, making the headline look short.
          Once again, quality control at the U-T has failed.



P.O. Box 2239
Ramona, CA 92065-0938
United States

Wednesday, February 27, 2019

The Green Book


          Good evening, 919 Gang. Considering our current topic and the fact that “The Green Book” just won the Oscar for best picture, I think you might find his interesting:
          The link is to an article in the Atlantic. It is not about the movie, it is about the publication called The Green Book. Interesting stuff.
          Mary and I saw the movie and enjoyed it. I didn’t think it was Oscar worthy (and still don’t). Goes to show you how much I know about movies.
  The plot feels formulaic, there is a really regrettable scene where the white man teaches the black man how to eat fried chicken, and the ending is contrived.  But no movie is perfect. We liked it; you might, too.

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JONI HALPERN writes:
I'd like to thank Jim Gogek and Sharon Doorasamy for their comments. To those of us who consider themselves persons of good will, it is painful to admit that racism still pervades our culture. It's as if we are making the claim that since we ourselves have not engaged in any personal decisions to act out a racist or exclusionary belief, we have no responsibility for what happens to our fellow black Americans. So Jim's request for us to recount our experience with white racism is a great opportunity to share the subtleties of unintentional racism that we, as white people, commonly accept. So here are a few examples from my life:
          Every time I see a commercial featuring white adults or kids, I ask myself why the same role could not have been cast with a black person or other person of color. And very often, the logic is apparent: because white people would not accept that product or service if black people were featured in the ad. When I see a white person in a title role that, at least in theory, does not require a white person, I ask why couldn't a black person or brown person play that role? And the answer is because black and brown persons have not been given those roles in a society dominated by whites, so their presence would be considered irritating or false. Why are superheroes white? Because in our cultural fantasies about saviors, we cannot even admit Jesus was a person of color. He, a Middle Eastern Jew, is portrayed as so white, He could have been born in Indiana. Yes, we have some interlopers in some areas, as in "Hamilton" or "Black Panther," but to a great extent, the cold, hard realities of hundreds of years of exclusion have relegated people of color to lesser roles in everything.
Justice Antonin Scalia used to say white people such as he should not be held responsible for racism, because his parents came from Italy and were not part of the slavery from which racism emerged in this country. (He was quite incorrect; racism preceded slavery.) Justice Scalia was not a person who disliked the blacks he met in the lofty corridors of his life in law. But that argument does not reach Jim's or Sharon's points. As white Americans, we can either accept, and therefore perpetuate the legacy of racism, or we can acknowledge where it still hurts our brothers and sisters of color. In my work with youngsters of different races, creeds and cultures, I cannot bring myself to tell them they must adjust to exclusion until the dominant culture either is no longer dominant, or it accepts their well-being as vitally important to the success of all of us. I can only think how hopeless, how desperate, I would feel if I knew by all evidence surrounding me that my life was unimportant except to make heroes of those who controlled, limited and cast my future.

MICHAEL CAVNA writes:
A relevant note on editorial cartooning and representation: Several years ago, I wrote, “Not a single full-time staff political cartoonist on a major American daily newspaper is black, according to the industry’s national professional organization.”
          According to sources, that fact remains true today.
          Of the two most prominent syndicated black cartoonists who regularly address political themes: Darrin Bell (“Does the Afterlife Have Skittles?: A Candorville Collection”) does vital work daily in multiple features, and Keith Knight (“They Shoot Black People, Don’t They?”) is busy adapting three decades of his sociopolitical cartoons for a Hulu series pilot titled “Woke.”
          For anyone interested in background, here’s what I wrote on this topic a coupla years ago (full disclosure: Knight was our featured guest on the National Book Festival’s Graphic Novel stage):

SUSAN DUERKSEN writes:
Thank you to Jim Gogek and Sharon Doorasamy for articulating some of what's wrong with that Breen cartoon. I’m still stunned and bewildered by it, after reading the apology and repeatedly trying to imagine what the editors could have been thinking. No matter what Breen meant to convey, he grouped three people together solely because all three were black. That's the basis of the cartoon. Right there, stop.
I have to conclude, as Sharon and Jim said, that people who can't see the problem need training or at least deep personal research to understand their own white privilege and insensitivity. There’s at least one volunteer organization in town, Showing Up for Racial Justice (SURJ) San Diego, that offers free workshops and discussions that may help anyone reading this who feels angry at what I'm saying. As SURJ events are scheduled, they will be listed here: https://www.facebook.com/pg/surjsandiego/events

NANCY CLEELAND writes:
Hell yes to Sharon Doorasamy and Jim Gogek!

JOHN SHAFFER writes:
I hereby nominate Jim Gogek as the wokiest of the woke. Literally, the Prince of Wokeness.

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          REBER: Last night Preston Turegano pointed out that some people have yet to post a bio or a photo for the 919 Gang Directory. Also, there are about 200 members who have yet to tell me their birthdays. That’s probably why I can’t wish anyone happy birthday tonight. I don’t care about your age, just the month and day.


P.O. Box 2239
Ramona, CA 92065-0938
United States

Tuesday, February 26, 2019

Asmussen update


          Good evening, 919 Gang. Here’s news about a former co-worker:

MICHAEL CAVNA writes:
An update on the health of Don Asmussen, whom some of us remember from his merger-era years in the U-T art department. Plus, a link to his Kickstarter:

Update: I've got cancer. My S.F. Chronicle bosses have been great and very supportive as I work my way back. It has spread to my organs, including my brain (my very worst organ, as most of you know). I had brain surgery last November, and now have some new lesions. Wish me luck! pic.twitter.com/BW5xUwaAuo [t.co]

Kickastarter link:

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JIM GOGEK writes:
I looked at that cartoon and was not even sure what Steve Breen thought he was trying to say. The only thing I could figure out was "here's a racial comparison, readers." Only a bad case of white privilege and white exceptionalism could have come up with that cartoon and apology. I found the tortured apology and explanation by Breen and his editor to be almost as bad as the cartoon itself. It made things worse, because there is no explanation for that cartoon and the failure to edit it, except that it was stupid and racist.
          To be frank, white people have no business commenting on what should or should not be considered racism to black people. All these "explanations" of what Breen meant are just rationalizations borne of white exceptionalism -- and pretty arrogant. If you are white like me, what constitutes racism to black people is simply not within our ken.
          However, white people still have plenty to talk about when it comes to racism -- our own experiences of white racism against people of color, because we have seen it all our lives. If you were born in the 1950s like me, you have seen countless examples of white racism that you can talk about. I know I have. For example, I remember a lynching on Avenue X in the Sheepshead Bay neighborhood of Brooklyn when I lived in NYC in 1982 (google it). I believe every time white police shoot an unarmed black man it's a lynching. And I have heard the n-word from the lips of white people countless times in my life, though not recently. But I do not surmise that white racism is gone from my community. I find examples if I don't try to ignore them.
          White people, I'm interested in your experience of white racism. I'm not interested in what you think the black experience of racism should or should not be. Because that's just your white privilege and white exceptionalism talking.

GLENN GRANT writes:
I see certain people are still calling Breen's cartoon a mistake. The only mistake I see is the U-T pulling it offline when some people complained. Like I said before, I usually don't look at political cartoons, so I don't know: Has Breen addressed the anti-Israel remarks of Muslim congresswomen Ilhan Omar and Rashida Tlaib? Maybe he has. If not, would he confer with Muslims and Palestinians and Jews to make sure he doesn't offend any of them? I hope not, because that would amount to prior censorship.
          The cartoon was not a mistake. It was merely interpreted by different people in different ways, which can happen with any editorial cartoon. I believe I understood its intent right away, and it wasn't malicious. Even if I didn't, I doubt I would ask for it to be pulled, unless it praised someone like Hitler or David Duke or called for violence. As far as I'm concerned, it was a gutless move by the U-T to placate some readers. It only served to call more attention to the cartoon, which apparently the editorial board didn't want anybody to ever see again so it was so "harmful." Just posting letters to the editor from those who disliked the cartoon would have been more effective.
Gawd, I hope this is the last we hear of this topic until Smollett gets his day in court.

   SHARON F. DOORASAMY writes:
          In my post on Breen’s editorial cartoon featuring Toni Morrison, James Baldwin, and Jussie Smollett, I intentionally did not use the words race or racist. I said the cartoon was offensive, and I stand by my statement.
Yes, I used the word “lineup,” because Breen’s editorial cartoon links to an evolving crime story and he lined up three so-called storytellers, all of whom happen to be black, to make a point that, obviously, not everyone appreciates as sarcasm. I definitely did not “clearly see what he obviously intended.”
          I also did not attack Breen personally. I don’t know him, and even if I did, I promise I wouldn’t care if he was a “card-carrying” liberal or a conservative. If you miss the mark, you miss the mark. We’re talking about a single editorial cartoon that I’m assuming was seen by thousands of readers; and I hope this doesn’t come as a surprise but most ordinary newspaper readers, the few who are left, don’t bother to look at the name of the cartoonist or try to work out his or her “body of work or reputation.” No. They glance at the piece, like it or don’t, get it or don’t, and move on or complain to the editor, as they should.
          And by the way, Breen did deliberately link a Nobel Laureate with an obscure actor charged with criminal conduct. That’s the issue! And it makes matters worse to argue his “record of encouraging and defending efforts to help most African-Americans continue to contribute to society in a positive way." This statement, honestly, leaves me breathless; it's wrong on so many levels, and now I know I’m dealing with drunks. You know drunks? It’s almost impossible to get a drunk to admit that they’re a drunk. (I'm not calling anyone a drunk; it's a metaphor, just so we're clear with one another.)
          Here’s the real issue for me—and now I will talk about race because I concur with James Baldwin when he said that “To be a Negro in this country and to be relatively conscious is to be in a rage almost all the time” —I’m tired of people using some variation of the defense “I didn’t mean it.”
   It’s this constant, corrosive drip of racial insensitivity, ignorance, and an unwillingness to examine one’s self and one’s motivations and actions, or step into another’s shoes, or just do some doggone homework and research, that makes me weary as a “card-carrying” Negro.
          That’s why I stayed out of the blackface debate. It’s why, and I regret it, I stayed in the shadows when my old friend Jim Trotter was hurt and raging about police shooting black men in the back. It’s why I kept quiet when, with all due respect, Jack called Robert E. Lee a “true American hero.” Millions of enslaved human beings stolen and bought like cattle from the African continent labored, often under the threat of death by whip or the gun, in this country for 246 years, and Lee was bound and determined to make slavery last even longer. He’s no hero, and thank you Craig Rose for saying so. He was on the wrong side of history.
          Time to get sober.

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CARL LARSEN writes:
Who says news today isn't in jeopardy?
Consider what 7San Diego did last night after the TV show "Jeopardy" didn't run as scheduled Monday night during a widely followed special tournament? The station told viewers there was a technical problem preventing the show from airing.
Well, the answer was easy. You bump the local news off the air, and run the missed "Jeopardy" episode the next day.
That's what 7San Diego did last night, after receiving many calls from irate viewers wondering what happened to the show on Monday night.
Here's the report from the station:

Monday night's "Jeopardy!" All-Star Games tournament episode will air on NBC 7 Tuesday at 6:30 p.m.
There was a technical issue with Monday night's episode of Jeopardy. We are incredibly sorry for the disappointment this has caused as we know we are in the middle of a special tournament that Jeopardy fans have been looking forward to.
We rescheduled the correct episode that was supposed to air Monday at 6:30 p.m. Tuesday so you may watch or DVR it. This will be in place of our 6:30 p.m. news.
Your cable guide may not change in time to say Jeopardy, but it will be running from 6:30 p.m. to 7 p.m. ahead of tonight’s regular scheduled continuation of Jeopardy All Star Games at 7:30 p.m.

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PRESTON TUREGANO writes:
Re: The U-T website and staffers’ images/mugs. I should have said in my 919 message for Tuesday that “the last time I looked” (sometime last year) there were no mug shots of editors, reporters, photogs, designers and others putting out the paper. There were email addresses. As of today, I counted 113 staffers who are on the U-T website under “Contact the Newsroom” and who have email addresses. Some names are in blue and by clicking those you do see a staffer’s mug. I never noticed that in the past when mug shots popped up (row upon row by section/department) as soon as you clicked “Contact the Newsroom.” Seems strange that there are so many names just in black type, and therefore without access to a mug shot. It’s kind of like the 919 membership directory, which is still waiting for data (including a mug) to come on certain members. I do agree the listing for Logan Jenkins, who after 22 years left the paper in mid-January, should be removed.

          REBER: Thank you, Preston. Yes, some members still owe me a brief bio and a mug shot for the 919 Gang Directory. I would like to publish an updated version, but without the “holes.”

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MARK MONDAY forwards:
Is the definition of journalism changing?

 
P.O. Box 2239
Ramona, CA 92065-0938
United States