Wednesday, August 31, 2016

A language gap



          Good evening, 919 Gang. A few nights ago I recommended the movie “Florence Foster Jenkins.” An interesting story and great performances; I think you would like it. Today we saw “War Dogs.” Actually, we saw 45 minutes of it. In 45 minutes, don’t you think a movie could show a little comedy or drama or action or character development? Note to Hollywood: A good movie includes something besides F-bombs.

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          JONI HALPERN writes:
          Thanks to Jim Okerblom for countering an unsupportable argument about the failure of Great Society programs. As Jim pointed out, not all the programs were successes, but those that dealt with housing, early childhood education, legal services, job training and job readiness, access to education, nutrition assistance and even the first linkage between public benefits and job preparation were all part of an economic engine that helped carry America through the next 30 years at least, even during the years when Vietnam was breaking our budgetary bones. Some parts of that engine are still working. Others have sputtered to a near stop because they have been purposely burdened with restrictions, funding cuts, inadequate staffing, and other impediments placed upon them by legislators who inflated contempt for the poor as one strategy to get elected.
          The desperately poor have been my clients for my entire legal career. I have engaged in long-term relationships with dozens of low-income families over the years and seen thousands of clients. I have worked with hundreds of low-income parents and children on projects to call attention to the truth about poverty in San Diego County. I have the greatest respect for how hard low-income parents work and what they do their best to accomplish in a country that treats poverty as a choice made by a lazy parent who wakes up one morning and decides she'd rather watch Oprah than go to work. There are many good books that will inform us about poverty, but one of the best among recent ones is Two Dollars A Day (subtitled "Living on Almost Nothing in America") by Kathryn J. Edin and H. Luke Shaefer.
          As Robert Hawkins pointed out so eloquently in his earlier post on political correctness, words can hurt. When we speak to each other in expansive statements that have no support in reality, we can hurt the quality of the public dialogue that ultimately leads to public policy. This is how we create bad public policy, which I define as policy that undermines or even destroys the very mission it was meant to achieve. As Edin and Shaefer show, deep poverty (that is, people living at or below 50% of the federal poverty threshold) is growing among families in America, and a great deal of the data demonstrate that this result stems primarily from the failure NOT of Great Society programs, but from their termination, funding reductions, and replacement with welfare reform.

          NANCY CLEELAND writes:
          Hats off to Jim Okerblom, who remains one helluva reporter!

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          DAVID FARMER writes:
          As you know, I try to explain obscure Hollywood terms when they find their way into the mainstream media.
          My latest: a reporter for the Huffington Post wrote something about the current election, then added: "Smash cut to 2018." That's the sort of thing a screenwriter might include in his or her script. It's an instruction about how to end one scene and begin the next.
          There are several ways to change scenes. You can simply write: CUT TO: and move into the next scene. Or you can write: DISSOLVE TO: This direction, as almost everyone knows, calls for one scene to merge into the next as if they are literally dissolving out of one and into another.
          Then there are the harder transitions, such as SMASH CUT: This is an edit, usually meant to take the audience by surprise, sometimes in the middle of a speech. It's meant to startle the viewer. For example:

          INT.-SKI LODGE-NIGHT

          John and Marsha are toasting marshmallows at a massive stone
          fireplace. Two pairs of skis lean against a wall. No one else is
          there. Marsha, sitting very close to John, looks at him fondly
                                      MARSHA
          I'm so glad you punched that brute when he
          started to bother me at the ski lift.
 John takes a toke of a fat roach. He's feeling very heroic, and he shows it.
                                      JOHN
                                      (disdainfully)
          He was a bully. Like all bullies, he turned tail and ran after
           I gave him an uppercut to the chin.
 Marsha lifts the roach from his hand and takes a long drag, holding the  smoke deep in her lungs. She hands it back, looking serene as she murmurs  sleepily:
                                      MARSHA
          I'm sure we'll both sleep well tonight, knowing that guy
          isn't within miles of us. And we've locked up tight.
                                                           SMASH CUT TO:

          A man is standing outside the front door of the lodge. He looks furious
          and wild. He roughly rubs his chin, then hoists a logger's ax and swings
          it powerfully against the door. The wood splits and the door falls in with a
          loud CRASH.

          Normally, there's no CUT instruction after every scene. Directors usually want to make those decisions themselves. But the writer can hopefully insert SMASH CUT as a suggestion if he or she thinks it's called for.
          Other cuts are the Gilligan, Mood Whiplash, Ironic Echo, Jump Cut, and Smash to Black. I think these are so obvious that I needn't bother to explain them.

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          MICHAEL CAVNA writes:
          My thanks to J.D. Crowe for the kind words on the Richard Thompson piece -- and you yourself, J.D., articulate so damned well that aspect of how Richard let just a peek of his genius process show through. And how fitting (as we learned at the memorial) that whenever his drawing hand was too idle for too long, he would absent-mindedly "doodle" Beethoven. (Both saw their bodies fail them too soon.) Perfect.
          P.S.: Speaking of farewells to mild-mannered, good-guy comic geniuses, I'd just like to say: "Thanks for all the laughter, Mr. Wilder; your best roles never grow old: "


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          REBER: Here’s wishing a very Happy Birthday to Lew Little on Sept. 1.
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          JAMIE RENO forwards:
          Army Veteran Survives Active Duty, But "VA Almost Killed Me"
          BOB ELLEDGE forwards:
          A collection of Weiner headlines from the New York Post



P.O. Box 2239
Ramona, CA 92065
U.S.A.

Heavy traffic



          Good evening, 919 Gang. Last night I promised you a set of outstanding photos. Here they are, courtesy of Chuck Boyd.

          CHUCK BOYD writes:
          Have not seen very many photos lately in the newsletter so I submit some that will be familiar to Southern Californians and anyone ever stuck in hectic heavy traffic. Yes, it's a vacation photo.
          A month ago I found myself in Paris at the top of the Arc de Triomphe and looked down to see the swirl of fast moving traffic. 


          Well, there were plenty of vehicles merging in from the 12 avenues that meet there but the flow was anything but speedy. You'll note there are no traffic lanes painted down there.


          I had read that cars entering have the right of way and those in the circle must yield. The opposite of how we use roundabouts here. Sounds simple, but, I have to assume any actual movement depends on the good nature of other drivers, patience....and driving with one hand on the horn button.
          Another photo shows the value of having a clever ad/sign that catches attention and reminds one it's time to eat. 


          I also really got into the Van Gogh painting I saw of the artist's bedroom.





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          DAVID FARMER writes:
          Following Suzanne Mack's tale of dealing with bureaucrats, public and private: the thing that irritates me most is not being able to talk to a human when I first call a large company.
          I get recorded messages suggesting that I fix my problem with advice from their websites. But I'm from a generation that needs to talk with a human. I simply can't accomplish most technical things with online instructions. By the time I move to Step 2, I've forgotten what Step 1 told me to do.
          In addition to shunting you to their websites, companies play recorded messages advising that someone may listen to or record your conversation--"for quality assurance," whatever that means. The idea of being recorded used to bother me. However, I'm finally convinced that Toyota of Hollywood won't turn me in to the NSA if I ask to speak to the parts department.
          Other recordings sometimes inform you that "Call volume is higher than normal." This can happen any day at any time, and you have to wonder what caused the high volume. I think it just means that not enough employees came to work to handle the phones that day.
          There actually is a way to reach a live person. GetHuman.com has lists of phone numbers for many companies. The site promises that you'll get a person through their numbers.
          Then there's DialaHuman.com, which also has phone lists in many categories. This service has some strange instructions for getting from the original (nonhuman) hello to reaching a person. For example, you want to talk to Fidelity NetBenefits. You simply press 1 and then #################. That's right, # 17 times. (I didn't try it myself. You could get carpal tunnel that way.)
          GetHuman.com has figured out how monetize their service. They ask (online) what's your problem with a company. Then they offer to fix it for $20. They claim that they can do it in three minutes and one step while it may take you 13 minutes and six steps, or worse:
          I decided to pretend that I had a problem with GetHuman itself. I asked their site to give me their number. It appeared all right, but on the same page was this notice: If I wanted to fix my problem myself, it could take 115 minutes and 12 steps. Or, they could do it in their standard three minutes and one step. And don't forget that $20.

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          REBER: Two of last night’s messages were truncated. One was my fault and one was a glitch somewhere else. I am running the part of Joni Halpern’s message that did not show up. And I’m rerunning Michael Cavna’s to include the dropped material.

          JONI HALPERN writes:
          I really enjoyed Robert Hawkins' post on political correctness. I think most human beings have committed similar errors, whether by using a terrible name, making assumptions about character and capacity based on racist or other stereotypes, or simply by being ignorant of how our words sound to others whose sensitivities have been rubbed raw through their life experience. I think it is difficult to try to pick our way through the thicket of human interactions without racking up offenses we can commit without ever intending them or even knowing our conduct could imply them. But that is the nature of us humans. We can have the best intentions and still hurt one another so deeply by accidentally, or ignorantly, fracturing the fragile crystalline networks of each other's feelings. If it happens, it doesn't mean we are bad persons, no matter what the injured person thinks of us. But it is an opportunity to inquire of ourselves whether we can make our good intentions more clear, or whether we harbor hostility toward others because we lack understanding of their story. It is also a chance to ask for forgiveness, a humble form of healing that all of us need to give and receive.
          And last...
          Do any of our photographers recommend a simple guide to using a 23 Speed Graphic that has been fitted with a 120 back? I am not a photographer, but I have such a camera and I would like to use it. It is part of my exit from the merry-go-round of the Internet. I have an IBM Lexmark typewriter that works. I have a 1930s Underwood. And I have a fountain pen. I am in search of a feeling I once loved -- that of writing something to only one person, investing myself with the freedom of thinking some individual reader was the single most important person to hear what I wanted to say. I had this feeling whether I was writing a letter or writing for a newspaper. There was just that one reader, and all I had to do was dig deep enough in myself and in the subject matter so my reader could understand what I was trying to say. I miss that feeling, and I aim to get it back. Something about writing is crowded out by the unlimited reach of the internet, and I am trying to reclaim that something. I have never been on Facebook, Twitter, or other social media services. I know the 919 Gang is a blog, but to me, it's a written discussion among colleagues and friends. If it ends up as a blog, I never read it, because I do not want to lose that intimacy, even if illusory, between writer and reader.

          MICHAEL CAVNA writes:
          On Saturday at the National Press Club, I attended the public memorial of syndicated cartoonist and illustrator extraordinaire Richard Thompson, who died of Parkinson's disease last month, age 58. Several hundred mourners attended, yet his talent alone could have merited a National Cathedral-sized turnout and outpouring.
          Richard was known as "the cartoonist's cartoonist," which is another way of saying that he was held in the highest regard by fellow cartoonists and humorists, but was far from a household name among the general public. You have surely heard of some of his greatest admirers and champions -- Pat Oliphant, Garry Trudeau, Bill Watterson, Gene Weingarten and Pixar director Pete Docter ("Inside Out") among them. As the high artistic and satiric gifts of this "Cul de Sac" and "Richard's Poor Almanac" creator were fondly remembered Saturday, I couldn't help but consider why more people weren't familiar with Richard's oft-cited "genius" (here, actually applicable). And I believe I have a central answer.
          Richard was a bit of a victim (though he was prone to no self-pity) of his times, because he did not arrive at syndication till this century, as overall comics sales to newspapers began to dry up like an inland August hillside, twinned with the rise of social media and its insatiable hunger for the divisive and incendiary words that, as clickbait, are often cheap rhetorical chum.
          Richard did not write "mean." Instead, he wrote skewed human truths, sharply observed.
          That is to say, Richard did not stoop to the easy surface gag, such as Donald Trump's hair or Bill Clinton's peccadillos. Richard did not write "jokes"; he wrote wit that was rooted in the real, as interpreted through his own kinetic bent. He was part Twain and part Thurber in his gift for the just-right word and perfectly struck comic tone, yet his slight body also housed an artist whose line could rival that of Ronald Searle or Saul Steinberg.
Ross Perot caricature
          In other words: In an internet world that often thrives on the simplistic, lizard-brain binary -- us vs. them, black vs. white, left vs. right, men vs. women, cis vs. LGBTQ -- Richard did not stoop, and so he did not conquer. And yet ultimately, he won.
          Richard was a divinely gentle soul with a devilishly sharp sense of humor. His was wit born of erudition and illumination partly seasoned by "Pogo" and the Bard. He challenged assumptions, and led you to see things anew. He was as mischievous as Bugs Bunny co-parent Chuck Jones, and he could be an ink-stained wiseass when the situation called for it. Yet comedicly and artistically, he never was caught working without elan or aplomb:



          No situation could not be leavened by his askew view. Several years ago, while he was receiving deep-brain stimulation treatment for his advanced Parkinson's -- basically, imagine your exposed noggin being jump-started by battery cables -- he was asked to draw to test his dexterity while hooked to the juice. So Richard sketched his own brain, uttering the thought balloon: "Whee!" Below that, Richard noted that this napkin-sized brain was not drawn to scale:

 
          And when Richard got "political," his style was not to rail and rant. Instead, he craftily composed a Bush the Younger inauguration speech composed entirely of the president's very own words (the cartoon went fairly viral):


          I say all this because what place does the subtle and humane humorist have in an internet culture that, as Time magazine's Joel Stein recently noted, seems to have mutated monstrously because its diet of malnutrition often seems set and maintained largely by the most vitriolic of trolls? In this virtual realm, you are not only what you eat, but also what you spew back up after you dine. And there is not enough antacid in the world to quell the hacking Internet.
          I felt a personal and professional kinship with Richard in part because I was raised by a humane artist; my mother, when not creating art from the soul, for years taught art to developmentally disabled kids, often through the same San Diego Regional Center that my dear ol' friend James Hebert referenced Monday. (She also immediately perceived that my young blind nephew was also on the autism spectrum.)
          My central hope here is that the internet does not lose the better angels of its humanity to the infernal instincts loosed often by anonymity.
          Ken Burns once said to me, while working on his Twain documentary, that deeper humor that probes humanity will always outlast the ephemeral topical one-liner. And just as key, he added: When Twain satirized the damned human race, he always included himself in on that equation; he was not only the head that sprung the joke, but also was the butt of it. He was We.
          Richard, too, typically made sure that he was not only the inky archer, but also that he had included himself within his painted bull's-eye.
          Richard never lost his comedic integrity, or humane authenticity, and so he never surrendered his dignity. And that is how, in life as in death, he won.
          (Note: I write this for my 919 friends; now fired up, I just might have to blog about this elsewhere, too. Thanks for being part of the inspiration.)


           J.D. CROWE writes:
          Hats off, kudos and amen to Mike Cavna for his tribute to Richard Thompson, “the cartoonist’s cartoonist.” His words were spot on.
          For me, the genius in Richard’s work was just how much fun he packed into each brilliant doodle within each drawing. He had the audacity to leave in those whimsical little lines – an extra nose here, an odd frown there – those little masterpieces most of us would mistake for mistakes.
          I never met him, but I think he probably experienced more pure joy – the zen-child-like joy – of drawing - than most of us stressed-out pedestrians will ever know.
          Excellent tribute, Mike.
          Thank you, Richard Thompson, for showing us how joyful the lines should be drawn.

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          MICHAEL GRANT writes:
          Re Bob Hawkins’ call for life lessons, here’s an old one (I’ve written about it before) with a new wrinkle.
          The year was 1983. My son was 6. I was 40. "Dad," he said, "do you think I will die in the 20th . . . the 20th . . . " "The 20th century?" I said. "Naw. I sure hope not." "I hope I die before you do," he said. "Why?" I said. "Well, if you died before me, I would be sad." I leaned down in his face. "What about me?" I said. "If you died before me, I would be sad." "Well," he said, "we could just die on the same day." He had given me a gift for a lifetime. "No," I said. "You will always be too young." Today, he is 40. I am 73. He is still too young. Turns out (here’s the new wrinkle), so am I.

          REENIE SHEA writes:
          I'm often intimidated to offer my thoughts to the talented wordsmiths on 919 but given the opportunity to write about life lessons I offer one of mine.
          During high school at Monterey Union High in Monterey, Calif., I worked part-time as a car hop at A&W Root Beer in Seaside, in between Monterey and Ft. Ord. My dad was stationed at Ft. Ord, and we lived on base. Thankfully I did not have to use roller skates at A&W which would have been dangerous with constant fog and drizzle.
          The time was 1963-1965, the buildup of the Vietnam war. My father was in charge of the reception center at Ft. Ord. He processed thousands of young men for training who would were destined to serve in Viet Nam. What many people do not know is that my dad often had the heartbreak of accompanying a recruit
who committed suicide in his barracks home to his family.
          During my late night shifts at A&W many lonely soldiers would visit just hoping for friendly conversation. I had no idea what was ahead of these young men. They would stay for hours in their car drinking coffee just wanting someone to talk with. I think coffee was 10  cents at the time but they would leave me one dollar which I would refuse. They insisted I take it.
          My father served two tours in Viet Nam. I'm older than my brothers so had left the house before he retired. My brothers challenged him about Viet Nam and later I did too. My father was the most disciplined, honorable man I have ever met but he finally admitted both Korea, where he was horribly injured, and Vietnam were a mistake.
          I often think of those sweet, lonely young men who just wanted to drink coffee and speak with a friendly person and who probably never returned home.

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          JIM OKERBLOM writes:
          Jay Johnson presented a searing condemnation of the Great Society programs of the 1960s. Not only did they not succeed, according to Johnson, their legacy is "higher rates of crime, violent death, incarceration, illness, unemployment, alcohol and drug use, and lower rates of educational achievement vs. every other racial group in the US (except Native Americans, who join black Americans at the bottom of the socio-economic ladder). This hasn't changed in my lifetime."
          There is no denying that there is a problem with drug use, crime and violence in many black and minority neighborhoods in the U.S. The incarceration rate among black youth is a national scandal. Black Americans as a whole do remain at the bottom of the socio-economic ladder, experience more crime and receive less education than other minorities and whites. (Is that really surprising, given their and our history?)
          But to suggest, as Johnson does, that there has been no progress in these areas, that we "continue to double down on the same failed solutions that are driving poor Americans of all races deeper into despair," is a nice conservative talking point. The only problem is, it isn't true.
          Much has improved for black and poor Americans since the 1960s. Some of the improvements have been dramatic. Here are a few examples:
          Education:
          In 1960, forty-three percent of the white population completed high school, while only twenty percent of the black population did the same. In 2006, 86% of blacks between age 25 and 29 had graduated from high school and 19% had completed bachelor's degrees.[13] As of 2003, the percentage of black householders is 48%, compared to 43% in 1990.[14]
          Crime: Rates of serious crime by black youths have dropped dramatically.
          Today’s young African Americans display the lowest rates of crime and serious risk of any generation that can be reliably assessed.
          In the last 20 years in particular, the FBI reports, rates of crime among African American youth have plummeted: All offenses (down 47%), drug offenses (down 50%), property offenses (down 51%), serious Part I offenses (down 53%), assault (down 59%), robbery (down 60%), all violent offenses (down 60%), rape (down 66%), and murder (down 82%)
          New2012 figures from California’s Criminal Justice Statistics Center reveal that the state’s black youth show the lowest level of homicide arrest since statewide racial tabulations were first assembled in 1960. Nearly every type of offense—felony, misdemeanor, and status—is much rarer among black youth today than in past generations.
          Indeed, the statistics of California in 1990 were alarming:
·          221 black youths were arrested for murder,
·          4,235 for drug offenses
·          6,884 for violent felonies,
·         22,441 for all felonies, and
·         45,703 for all offenses.
·          
          In 2012, in a California black-youth population of similar size (around 250,000 age 10-17) and a similarly complete statewide crime report:
·          20 black youths were arrested for murder,
·          1,019 for drug offenses
·          2,886 for violent felonies,
·          8,288 for all felonies, and
·         24,889 for all offenses.
          How can this mammoth decline not be front-page news—especially to inform the ongoing Trayvon Martin and Fruitvale murder discussions?
          The sad reality is that authorities, academic experts, politicians, and geriatric-media reporters (the average age of news consumers is well over 50) of 2013 simply do not know how to deal with a young black population that is not committing shootings, robberies, drug mayhem, and gangsterisms in mass numbers—let alone one that is dramatically less criminal than the older generations deploring them.
From the Center on Juvenile and Criminal Justice, 2013

          Crime: Murder in major cities - Although several U.S. cities have seen an increase in murders in recent years, over the long term the murder rate has declined substantially in most cities. For example, New York City, which has a large black population, has seen a steady decline in murders. It has fewer murders now than in 1928.


          Read more: http://tinyurl.com/hxmut9x
          Nationwide rates of serious crimes: The national rates of violent crime and murder also challenge Johnson's "deeper into despair" conclusions.
          As this graph of violent crime rates for the nation shows, the rate is lower than it has been since 1970. And the rate has been on a steady decline since it peaked at 758.2 in 1991. It was less than half that, 365.5 in 2014. But it was lower in the 1960s than it has been in recent years. (The FBI describes its data as “estimated,” and as we mentioned it comes from voluntary reports from local law enforcement agencies.)


          The murder and nonnegligent manslaughter rate nationwide, at 4.5 in 2014, was at its lowest point since at least the early 1960s, when the rate dipped as low as 4.6. (Note the numbers do not include lives lost in the Sept. 11, 2001, terrorist attacks.):


          Drug use (except marijuana): Down
          But virtually all of the (relatively small) increase in drug use came from the growing ranks of pot smokers. Cocaine use is actually down (only about 0.7% of the population admits using coke, compared to 1% in 2006). The rate of prescription-drug use rose in the early- and mid-’00s, but it has been flat since 2007. The rate at which we use methamphetamine is also unchanged. And as the National Institute on Drug Abuse reported earlier this year, hard drug use among 8th-, 10th- and 12th- graders continues to decline. Meth use among kids is down by at least two-thirds since 1999.
          Rate of births to unmarried women: Although the he didn't mention it, the rate of births by unmarried women -- while still high -- also been in decline in recent years, particularly among blacks and Hispanics.     After increasing between 2002 and 2007, birth rates for unmarried women were lower in 2012 than in 2007 for all race and Hispanic groups (Figure 3). Hispanic women had the highest nonmarital birth rate in 2012 (73 per 1,000) but also the greatest decline since 2007 (28%, from 102 per 1,000). The rate for black women declined 11% between 2007 (71 per 1,000) and 2012 (63 per 1,000).

          Another perspective:
http://tinyurl.com/gsa72eu
          There is a black underclass in America. It was created over many generations of slavery, Jim Crow laws, segregation and racism. That problem is not going to be solved easily or quickly. It will take generations. Many anti-poverty programs were far too ambitious, and failed to achieve their goals.
          But contrary to what Jay Johnson contends, things haven't gotten worse since Great Society programs were implemented. In most areas they have improved -- in some cases dramatically. I am not saying the War on Poverty deserves all, most or any of the credit. The passing of the crack epidemic, better policing, longer prison sentences, the economy and many other factors could also be involved. There is much debate about why the gains I site have occurred.
          What I am saying is that Johnson ignores all these trends and paints a dire picture of failure, which simply isn't accurate. The sky may be falling in his neighborhood. It isn't in mine.
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          REENIE SHEA writes:
          Jack, I was glad to see there may be a federal law restricting big rigs to 60-68 mph on highways. I drove from Chula Vista to Ogden, Utah, in June where speed limit on I-15 was 80 mph in certain areas. I was terrified because I-15 is a major route with big rigs who barrel down the freeway often locking cars between them. At one point I was pinned between two and could not pass to the left with the rig behind me no more than 15 off my tail. I was so nervous I swerved a bit and he backed off. I understand they have deadlines but come on, who wants a monster truck tailgating you at 80 mph.

          REBER: Also the computer in Nathan’s truck will not allow him to drive more than 11 hours a day. That should be in all trucks. You don’t want to meet a sleepyhead driving a big rig.

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          GENE CIECHANOWSKI forwards:

          9 beautiful tiny homes you can buy right now



P.O. Box 2239
Ramona, CA 92065
U.S.A.